Eva Terrades Joyeria Textil ARTEARATESANIA

EXHIBITION Eva Terrades Pallicer TEXTILE JEWELRY


EXHIBITION

EVA TERRADES PALLICER

TEXTILE JEWELRY

Contemporary jewelry is genderless.

Contemporary Jewelry accepts experimentation with all kinds of materials.

Contemporary Jewelry understands the Jewel as a means of plastic Expression.

Eva Terrades joyeria textil ARTEARTESANIA
Eva Terrades joyeria textil ARTEARTESANIA

Contemporary Textile Jewelry

Fabrics, seams, pieces of fabric, embroidery, wefts with different threads, fabrics with different techniques, are the materials with which Eva Terrades makes her delicate pieces.

It is a pleasure to present the next exhibition in the small room of ARTEARTESANIA.

Eva Terrades Pellicer is Majorcan and in her range of life experiences, she treasures during 6 months in India working as a volunteer for the Vicente Ferrer Foundation, with women with high degrees of disability, an experience that marked her life…

to almost the other extreme, becoming passionate about the world of fashion, and arriving in New York, working for years with the designer Miguel Adrover, for example…

But it happens that she returns to Mallorca and changes her state, stops traveling, becomes a mother,

she decides to go down to the calm of the embroidery and germinates there the seed of the work that we will see.

Creativity and Reuse:

Another very important point of Eva Terrades’ Work is that she reuses pieces of different fabrics, many of them are old Majorcan fabrics, which give her work a subtle and authentic local character.

The fabrics keep the emotion, the smells.

The clients of the Contemporary Jewelry Galleries, for the most part, are not specialists or collectors, they are simply sensitive people who are attracted by certain pieces that they want to wear, without further pretensions…

However, a very attractive aspect of contemporary jewelry is its closeness to the body.

Among the postulates of Contemporary Jewelry we find, in addition to the Jewel transformed into a means of plastic expression, the very body that carries the Jewel, can be understood as the exhibition space of the work…

The complicity of the wearer has always been essential when framing the creation of the Jeweler.

These types of pieces are displayed and worn differently.

They come to acquire prominence and set trends…

 

ARTEARTESANIA Gallery,

invites you to the Exhibition “SORTINT DE L’OU”

by Eva Terrades Pallicer

next May 27 from 18 hrs.

Music in the Cave from 10:00 p.m.

Joyeria Textil Eva Terrades ARTEARTESANIA
Joyeria Textil Eva Terrades ARTEARTESANIA

User comments ­čÖé

(send us your comment to the Instagram of the Account and we will add it @arteartesania)

Comments from Alla, the model of the Pieces.

  • Speaking of how special Eva’s work is, it is impossible not to mention one of its greatest benefits: weight. The pieces are so light and soft that while you have it on you almost do not notice anything else apart from the attention that the pieces attract.
  • And then, packing for a weekend getaway trip, you just put it in your jumper and that’s it, no extra weight or space… Isn’t that great?

EXHIBITIONS IN THE SMALL HALL OF ARTEARTESANIA


EXHIBITIONS IN THE SMALL HALL OF ARTEARTESANIA

ARTEARTESANIA RE-opens the Small Room to Exhibitions of “Contemporary Jewelry” or “Art in small format”

The idea with the exhibitions is to enable Artisans/Contemporary Artists to show their work, through an Exhibition in S├│ller.

PREVIOUS EXHIBITIONS:

DORA GOOD (intervention of the Small Room year 2007)

Inauguration of the ALBERTO MIGUEL Exhibition

arteartesania Escultura 5 - Alberto Miguel

 

2017 – BORIS JAKOV – Exhibition of silver pieces cast in Cuttlefish

Questions about the format and conditions.

This exhibition occurs through a collaboration whose costs are assumed by ARTEARTESANIA (Space rental, attention during the Expo, light, posters, etc.) and that the Exhibitor shares by donating at the end of the Expo, a Piece (of an estimated value of PVP ÔéČ300.00) which becomes the Gallery’s Artwork Fund.

These Exhibitions are a way to “introduce” the artisans who will be part of the ArteArtesania staff. (as happened with Ramon Puig, Silvia Walz, Judy Mc Caig, Yukiko Kitahara, etc)

At the end of the Expo we would like to have a sample of your pieces that were exhibited, so that they have their space and market them during the season (some of them will also be for sale during the Expo in the online shop on the website, at At first, the pieces that remain after the Expo will go to the web shop)

How many days does an exhibition last?

The Exhibitions last 2 or 3 weeks (to be agreed with each Artist)

There are three days prior to Assembly and 1 day after to disassemble

At least one month in advance, we require photographs and texts, curriculum, etc. of the Artist/Craftsman that allow us to prepare a presentation of the expo, as well as the name of the exhibition if it is specific to the occasion, with technical characteristics of the work, as well as other information that serves as an introduction to the exhibited work

What is the % of the sale, which remains the Gallery?

Here then there are two parts.

The first While the Expo lasts and for all the exhibited pieces, the Gallery keeps 33% of the PVP, (without VAT), that is, in cash sales, there are two parts for the Artist, one part for the Gallery, Yes the customer wants an Invoice or pays by card, we increase the 21% VAT, which is collected and kept by the store to pay later.

The second, Once the exhibition is over and the pieces go to the Store (the group of pieces that we agree on can be on consignment this season), they are left in equal conditions as the rest of the suppliers, on the cost price, it is recharged 50% plus VAT

Is there an “Opening”? Does the gallery pay these expenses?

If we open on a Friday there are two and a half hours from 8:00 p.m. to 10:30 p.m. of vernissage and then from 10:30 p.m. the inauguration usually continues with a celebration in the courtyard / Workshop with live music (some group of local musicians ) and from 10:30 p.m., there is a small bar with drinks…

If the Exhibitor has a preference for some type of Opening in particular, we can agree on itÔÇŽ

Is there a promotional poster? The cost is borne by the gallery?

If posters and postcards are made to leave in hotels, the cost of which is assumed by ARTEARTESANIA

How is the return of what has not been sold?

At the end of the Expo, if the Exhibitor does not reside in Mallorca and cannot collect the pieces, we can agree to send those that have neither been sold nor remain in the Gallery, by transport agency.

 

Stories of a Chameleon


CUENCOS_CAMALEÓN_10

Carlos Tellechea Stories of a chameleon | Art in Arteartesania

For me the Chameleon means something like:

“Non-violent adaptation”

At one point when I was between Cercedilla and Segovia, in my early years in Spain, leaving aside the production of costume jewelery, which I did to sell in markets, I decided to make a small sculpture of a chameleon, with a hollow body, welding bronze cuts … .

Some time later I asked the “Loqui” (my founder of those times) to melt the original and thus I had the first 10 cast bronze chameleons …

And so, once the bronze chameleon was created, I built a landscape of metal cutouts for it as well, and this one, within the world of feminine ornamentation, which was my trade.

And the first Piece that was put together was a Choker. Then a bracelet that were run by the little chameleon

Understanding as Roberto Bola├▒o that contests can be an alternative to stick his head out for a craftsman from the provinces, I decided to present the Pieces to the Castilla y Le├│n Craft Design Contest

The Work was a Regional Prize. In a way, the chameleon remained, as a resource, as a talisman and finally as a characteristic signature of my works. Every year he cast about twenty pieces and made completely different series, Jewels, small desk sculptures, objects for personal use and other decorative items such as the bowls that appear in the photo above.

The chameleon transforms the piece in which it appears in a small story, the aesthetic is added to the narrative.

General information about Chameleons
Chameleons are a family, Chamaeleonidae, of small scaly sauropsids (reptiles). There are about 161 species of chameleons, most of them in Sub-Saharan Africa.
The term “chameleon” derives from the Latin chamaeleo, a loan from the Greek ¤ç╬▒╬╝╬▒╬╣╬╗╬ş¤ë╬Ż (khamail├ę┼Źn), in turn composed of ¤ç╬▒╬╝╬▒╬» (khama├ş) “on land” and ╬╗╬ş¤ë╬Ż (l├ę┼Źn) “lion”. The Greek word is a carbon copy of the Akkadian n─ô┼í qaqqari, “land lion.”
Some species of chameleon are capable of changing color, which is their most famous characteristic.
Contrary to what some believe, they are not colorless, nor do they change color only according to the environment; in reality, the change in its basic color more often expresses a physiological condition (related to temperature or the time of day) or a psychological condition (caused by the proximity of an eventual adversary or partner).
The color change also plays an important role in communication during chameleon fights: the colors indicate whether the opponent is scared or furious. Colors can vary from reddish to greenish.
Chameleons have specialized pigment cells in various layers of the dermis, under their transparent outer epidermis. The cells in the upper layer, called chromatophores, contain yellow and red pigments. Below that of the chromatophores is another layer whose pigment cells, the guanophores, contain a colorless crystalline substance, guanine. The guanophores reflect, among other things, the blue color of the incident light. When the upper layer with its chromatophores determines a yellow color, the blue light reflected by the guanophores is stained green (blue + yellow). Even lower down is a layer rich in melanophores, loaded with the dark pigment eumelanin that also stains human skin. These melanophores regulate brightness, that is, the amount of reflected light. All these pigment cells can regulate the distribution of the pigments they contain, expanding or contracting it, which in turn gives rise to the differences in brightness, hue and pattern that distinguish chameleons.
Throughout the West, the term “chameleon” is used in colloquial language as a synonym for a fickle person, who adapts his behavior and characteristics to circumstances. The term does not always have a negative connotation (of falsehood), and can also mean “flexibility”. It is also quite used to adjective good actors

https://www.arteartesania.com/producto/serie-de-cuencos-camaleon/
https://www.arteartesania.com/producto/camaleon-en-equilibrio-financiero-n-v/

LA CUEVA de ARTEARTESANIA Local music at the UNDERGROUND


 

Paco Colombas Xavier Marin in the Cave of ARTEARTESANIA

Great night of Jam with Jiva, Paul and Ned

PERFECT PERVERTS  Jiva, Lluis y Ned

PRENATAL performance in LA CUEVA de ARTEARTESANIA

The Cave of ARTEARTESANIA emerged about 12/13 years ago spontaneously as a meeting place and creativity for the musicians of the Soller Valley from spontaneous jams after the “presentation” of the last group that tried their new songs in small format and for friends.
LA CUEVA has been operating in a self-managed and free way … and as a complementary event to the Openings in Exhibitions

But in recent years it has become a benchmark as a cultural space for many musicians who propose encounters in which to test and confront musical ideas.

It is within the framework of these inaugurations that the “nights of music in the Cave” arise, there were musicians who temporarily rehearsed there and we all understood that presenting live music coinciding with an Art inauguration was something complementary and that as it happened they would feed back ..

This enriching activity of the exchange of musicians who got to play without a score or guaranteed training, ended up being an authentic laboratory of creative musical ideas for dozens of instrumentalists from the town and from many other places that participated in these usually spontaneous jams.

Carlos Tellechea is an Autonomous Balearic Artisan Master, his Company also has the DQA Consideration (Artisan Qualification Companies) that in Soller for example, have this Qualification “Can Matarino” or “Fet a Soller”

He came to Soller 20 years ago and has all those years contributed to Social Security, working as a Craftsman and Gallery owner.

His small business has generated sustainable activity and employment in the Valley, collaborating with local artisans, years working for example with Bernat Forteza or Lluc├şa Magraner (joiers solleriks)
He has represented in National and International Fairs and Exhibitions the name of Mallorca and Soller, where in some cases, such as in the Feria Mercado de Artesan├şas de Sevilla, he has received awards for the best work.

On Calle de la Luna from the beginning he began to collaborate with other Artisans from Mallorca and Menorca and carried out monographic exhibitions bringing Soller to Exposure to different Mallorcan jewelers … Dami├í Mulet, Quico Tent, Tasso Mattar, Pep Joan, Boris Jakov and Menorcans such as Santi Cap├│ or Xavier Moncl├║s, later also relevant in the world of Contemporary Jewelry, such as the teachers of the Massana Ramon Puig Cuyas School, Silvia Walz, Judy Mc Caig, and a long etc.

La Cueva was a “Bonus Track” to his ARTEARTESANIA Project, which was far from being planned.

 

Collection “CHUMBERAS” by Carlos Tellechea


The prickly pear cactuses have been the inspiration for the production of this collection.

Chumbera – the traditional cactus, belonging to the cactus family. It is a shrubby plant of the opuntia genus, with more than 300 varieties.

This collection is made of brass / bronze with patina application.

Patina is the layer of copper salts that is generated on the surface of said metal after the process of its spontaneous corrosion.

Bronze and copper slowly degrade, combining again with elements from the environment to return to their natural state. The result, over time, will be a layer of copper salts on the surface of the metal, called a “patina.”

Artificial patinas are applied to copper or bronze using chemical solutions that react with the surface when applied to fire, to form a thin layer of color that also protects the surface.

Patination has been used as a decoration technique on metals by many different cultures for thousands of years.

New TALABAR collection at ArteArtesan├şa


Talabar is a family business located in Seville that manufactures leather objects (such as bags, backpacks, wallets, glasses cases, belts, …).

They work with leather in a traditional way, painting, embossing and stamping the articles creating reliefs and textures.

All the pieces are made by hand and one by one they go through different manufacturing processes.

We are very happy to announce that the new summer collection 2021 has arrived.
Enjoy some striking colors under the sun!

BVIEL Barbara Viel – New artist in ArteArtesan├şa


Bviel is a timeless jewelry brand on flattened papers with an enamel effect. They have a light and delicate shape. The items are made by the designer Barbara Viel.
All models are mounted in brass dipped in a silver bath for a brushed silver finish, made in France.

According to Barbara, her idea of ÔÇőÔÇőworking with paper stems from the desire to combine graphics, colors and paper in a light way. Paper is a sustainable, recyclable, strong and durable material while surprisingly light.

The pieces of paper are flattened with an organic plastic and are accompanied by ribbons, threads, semi-precious pearls. The result is a timeless jewel with an enamel effect, reversible for necklaces and bracelets, made in small batches in brass or 925 silver. Each piece has a different pattern on each side and is engraved with the BVIEL logo.

Check the articles that are not on the website can be done through the email: Correo@arteartesania.com

CARTEL DORA GOOD_WEBVERSION

EXPOSICI├ôN┬á “CERAMICAS”┬á DORA GOOD


EXPOSICI├ôN┬á “CERAMICAS”┬á DORA GOOD

Dora Good es una ceramista afincada en Deia, un peque├▒o pueblo de la Tramontana en la isla de Mallorca.

Realiza piezas únicas, todo el proceso es manual. 

Todas sus piezas est├ín elaboradas con arcillas de gres y acabadas con esmaltes de alta combusti├│n o t├ęcnicas primitivas, como la cocci├│n negra.┬á

La inspiraci├│n para sus dise├▒os proviene de su entorno; Su trabajo es una b├║squeda para expresar el equilibrio de la naturaleza, de la perfecci├│n imperfecta.

Encuentro todo el proceso de transformaci├│n de la tierra en un objeto de belleza, ya sea ornamental o funcional, completamente cautivador.

ROSA ELORDUI EXPO PASAJEROS

Rosa Elordui Exhibition in ARTEARTESANIA “Passengers” From June 3 to 21, 2011


Description of the Exhibition
Little ceramic characters that imagine, dream, or await their journey.

I am pleased to present to you in this next exhibition a beloved and talented Basque woman, a resident of Madrid for years, with an experience of more than 20 years in the ceramics trade.

Rosa Luis Elordui arrives with a small-format proposal in which she recovers her characters, and makes them evolve … in a certain way she has made them grow and places them in an attitude of intriguing waiting or dreaming trip …

The imaginative freshness of the situations, almost na├»ve, allows you to communicate through these characters, men or women who have no face, a certain placidity, a simple and positive message, suitable for all audiences …

On Friday June 3, from 8 p.m., in the small room of ArteArtesania, Rosa Elordui presents ÔÇśPASSENGERSÔÇÖ, you are all invitedÔÇŽ

JUDY_MCCAIG - 5 (1)

Judy McCaig exhibition “The desert of the unknown” in ARTEARTESANIA (2012)

Donde: ARTEARTESANIA
Date of Exhibition: 2012

The full moon of abundance presents tonight in Soller.

And in that constellation of moon on moon, the Exhibition of Judy McCaig’s latest works arrives at ArteArtesania.

Pearl of the luster of the desert Moon reaches Majorca in small “boards”, a dozen subtle and stripped pieces, minimal and persistent like sand that evoke the tones and textures …

“The desert of the unknown”

It is a pleasure for me to present this Scottish Jewelry in Soller this EasterÔÇŽ.

Add to cart